Going too hard in the direction of skeuomorphism comes at the cost of aesthetics. Skuemorphic design certainly made learning this whole new approach to phones easier for everyone to learn, so we have to be thankful for skeuomorphism for easing that transition - but as we became more accustomed to digital variations on everyday tasks, so too was a new style, fitting the new medium, required.
Imagine getting an iPhone for the first time and not only having to figure out the fact that it doesn’t have a physical keyboard and one gigantic Home button that is used for multiple functions, but seeing a ton of minimalist icons that mean nothing to you. I don’t think the transition into smartphones would have been nearly as smooth as it was if the iPhone didn’t use a skeuomorphic approach to design first. While I’m about to talk about all of the ways I prefer skeuomorphism falling to the wayside in favor of a more minimalistic approach to design, I do need to give a ton of credit to the design language carrying all of us through the iPhone’s formative years. The Newsstand app, which is where magazines used to live before Apple News, would feature magazines on shelves like you would find in a bookstore. But everyone can recognize felt as being associated with a pool table, so you can see Apple's train of thought at least. pool? Well, that’s about all I can think of for that case. The Game Center app featured a heck of a lot of felt, something you would recognize from a lot of games like. That’s why the Notes app looked like a physical notepad with yellow ruled paper and your notes would live on the lines of that paper, same as you’d physically write into a notepad.
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It’s a simple idea - if the digital thing looks like the physical thing you already know, you’ll know how to use the digital thing. In iOS, skeuomorphic design was used to make digital things appear as close to their real-world counterparts as much as possible. “An ornament or design on an object that mimics the form of the object when made from another material or by other techniques, usually one that reflects a previously functional element, as an imitation metal rivet mark found on handles of prehistoric pottery.”
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